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“Magnolia” is many, many (many) things, but first and foremost it’s a movie about people who will be fighting to live above their pain — a theme that not only runs through all nine parts of this story, but also bleeds through Paul Thomas Anderson’s career. There’s John C. Reilly as Officer Jim Kurring, who’s efficiently cast himself because the hero and narrator of a non-existent cop show in order to give voice towards the things he can’t confess. There’s Jimmy Gator, the dying game show host who’s haunted by each of the ways he’s failed his daughter (he’s played through the late Philip Baker Hall in on the list of most affectingly human performances you’ll ever see).
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It’s taken many years, but LGBTQ movies can finally feature gay leads whose sexual orientation isn’t central on the story. When an Anglo-Asian guy (
Never dream it, just be it! This cult classic has cracked many a shell and opened many a closet door. While the legendary midnight screenings are postponed because in the pandemic, have your personal stay-at-home screening!
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“It don’t seem to be real… how he ain’t gonna never breathe again, ever… how he’s useless… along with the other 1 far too… all on account of pullin’ a trigger.”
Scorsese’s filmmaking has never been more operatic and powerful since it grapples with the paradoxes of dreadful Males along with the profound desires that compel them to do awful things. Needless to say, De Niro is terrifically cruel as Jimmy “The Gent” Conway and Pesci does his best work, but Liotta — who just died this year — is so spot-on that it’s hard to not think about what might’ve been had Scorsese/Liotta Crime Movie become a thing, as well. RIP. —EK
I might spoil if I elaborated more than that, but let us just say that there was a plot component shoved in, that should have been left out. Or at least done differently. Even while it absolutely was small, and was kind of poignant for the development of the rest of the movie, IMO, it cracked that very simple, fragile feel and tainted it with a cliché melodrama-plot device. And they didn't even make use from the whole thing and just brushed it away.
“Souls don’t die,” repeats the enormous title character of this gloriously hand-drawn animated sci-fi tale, as x vidio he —not it
The dark hqpprner has never been darker than it really is in “Lost Highway.” In actual fact, “inky” isn’t a strong enough descriptor for your starless desert nights twink jock chris keaton fucked hardway by tyler tanner and shadowy corners buzzing with staticky menace that make Lynch’s first official collaboration with novelist Barry Gifford (“Wild At Heart”) the most terrifying movie in his filmography. This is really a “ghastly” black. An “antimatter” black. A black where monsters live.
Many of Almodóvar’s recurrent thematic obsessions appear here at the peak of their artistry and effectiveness: surrogate mothers, distant mothers, unprepared mothers, parallel mothers, their absent male counterparts, along with a protagonist who ran away from the turmoil of life but who must ultimately return to face the previous. Roth, an acclaimed Argentine actress, navigates Manuela’s grief with a brilliantly deceiving air of serenity; her character is practical but crumbles for the mere mention of her late little one, consistently submerging us in her insurmountable pain.
The allporncomic ’90s began with a revolt against the kind of bland Hollywood solution that people might kill to discover in theaters today, creaking open a small window of time in which a more commercially practical American unbiased cinema began seeping into mainstream fare. Young and exciting administrators, many of whom are actually key auteurs and perennial IndieWire favorites, were given the resources to make multiple films — some of them on massive scales.
The film that follows spans the story of that summer, during which Eve comes of age through a series of brutal lessons that drive her to confront The very fact that her family — and her broader community past them — usually are not who childish folly had led her to believe. Lemmons’ grounds “Eve’s Bayou” in Creole history, mythology and magic all while assembling an astonishing group of Black actresses including Lynn Whitfield, Debbi Morgan, plus the late-great Diahann Carroll to make a cinematic matriarchy that holds righteous judgement over the weakness of Guys, amature porn who will be in turn are still performed with enthralling complexity from the likes of Samuel L.
We asked for your movies that had them at “hello,” the esoteric picks they’ve never overlooked, the Hollywood monoliths, the international gems, the documentaries that captured time in a bottle, as well as the kind of blockbusters they just don’t make anymore.